Ladle Sori Yanagi

SORI YANAGI, 1974

Sori Yanagi Design japanese design

Object

This stainless steel ladle was designed in 1974 by Sori Yanagi, a master of Japanese industrial design, as part of an entire set of stainless steel kitchenware. 

The ladle, like the rest of the line, is considered a design masterpiece, as it harmoniously blends Western concepts of kitchen utensils with Japanese aesthetics and sensibilities.

The ladle was designed and prototyped by Sori Yanagi, who is known for handcrafting all his objects before creating a final version for mass production. 

Sori Yanagi’s famous ladle, along with the rest of the stainless steel line, is still made in Japan, specifically in the Niigata district, renowned for its refined metalworking techniques. Even today, all of Yanagi’s products are imported from Japan, where they are produced to the highest quality standards.

SORI YANAGI

Sori Yanagi

Sori Yanagi (1915-2011) was the most influential post-war Japanese designer, a key figure who introduced the concept of industrial design in Japan. He won numerous awards and recognitions for his Butterfly Stool and his beautiful kitchenware, which synthesize industrial design with organic Japanese forms.

Discover more

Details

Find it online

FROM THE ARCHIVE

Fortuny Lamp

The Fortuny floor lamp is one of the great lighting designs by multifaceted artist Mariano Fortuny y Madrazo, who created it in 1907 in his workshop in Venice.

Lampada Mayday Flos
MayDay

Designed by Konstantin Grcic for Flos in 1999, Mayday is a versatile, portable lamp with industrial roots, featuring a hook-handle, conical diffuser, and 5-meter cable.

lampadina di achille castiglioni
Lampadina

Achille Castiglioni’s Lampadina, designed in 1972 for Flos, features an anodized aluminum base inspired by film reels, an LED bulb with a frosted section, and exemplifies Castiglioni’s minimalist design principles.

Insalatiera e Colino Sori Yanagi
Bowl and Strainer Sori Yanagi

The Sori Yanagi Bowl and Strainer set is an iconic design, celebrated for the seamless blend of function and aesthetics. Featured in the 2007 “Super Normal” exhibition, it shows Yanagi’s design without designer philosophy.